We are two female artists whose paths intersected in 2016 at the Estonian Academy of Arts while getting a masters degree in scenography. So far, we have not been able to name two of us in any way, and so we do not seem to have any identity, even though it exists and there is too much of it to give it any specific name. Maybe if we can do it at one point, we will be like a ready-made brand, with a certain shape and form, and thus as if complete.
The first collaborative project got it's beginning in the second year of the university. It was a Tedx inspiration conference in Tallinn prison. In a sense, it was a symbolic beginning for us, with the theme of the walls around and inside us and the demolition of those walls. From there, we have moved on with the theme of walls and masonry, but that being in the sense of being a woman.
By our personal experience, we try to speak to society and talk about the possibility of expressing ourselves through sexual and creative freedom. We have addressed these topics in the performance trilogy as part of the series of events "Femme Fatale". Our exhibitions are dedicated to a woman's conscious self-acceptance.

We started by just wanting to show how beautiful a woman is in an unique and in many different ways. And which motive could symbolize a woman more than the breasts - they are jewelry and weapons at the same time- big and small, beautiful and very beautiful. Gypsum material creates a sterile distance and eliminates all fleshiness, which allows a woman to distance herself from herself. Only things that remain are a pure form, an anonymous, fragile and beautiful Woman.
Most models asked, what is the idea of taking these gyps forms? In itself, there is not much complicated art in it. In order not to spoil the spontaneity of these trusting and intimate moments, we simply said that we want to show how uniquely and differently beautiful women's breasts are. But that's just the outer facade.
Reality offered significantly more pleasure from the models self-confidence, self-satisfaction, self-awareness, self-acceptance al l through the process, and random material. Moving away from herself for a moment, the woman felt as if new, free from her ingrained thought patterns. We saw how mutually inspiring it was.
When all carnality disappears, only imagination, idea and fantasy remain. We only give a hint. The viewer sees the external shape, thus gaining only an idea of the form. Yes, we lure, we promise ... But what a particular pair of breasts really is - the skin, springiness, structure of the nipples, scent - it all remains a secret. And it is up to her to decide whether she really wants to open up. We women actually know how to keep a secret, protect and decorate ourselves with it very well.
WOMAN, YOU ARE BEAUTIFUL!
Kuna teema leidis palju positiivset vastukaja nii modellide endi kui vaatajate seas ning teekond osutus meie jaoks inspireerivaks, sai algselt ühekordsena mõeldud projektis näituste ja performance`te sari.

NÄITUSED

Esimene näitus toimus ühes Kalamaja kohvikus nimega Tops. See oli ood anonüümsele female powerile, ülistamaks naist ja tema jõudu. Naine sa oled ilus, vaatamata sellele, milline on su rinnakuju, su piht… vaatamata sellele, milline on su väline vorm. Me oleme kõik siia ellu kehastunud. Ilma kehata ei ole elu. Ilma eluta ei ole ilu. Meil kõigil on keha, vaid tänu sellele on käesolevad hetked ja elu  võimalikud. Pühitsedes keha, pühitsed sa elu ja kehastumist sellesse.

Nii nagu Tops ei ole tüüpiline näitusepind, nii ei toimunud ka näituse avamine tüüpilise kõne või tänusõnade saatel, vaid avati vaikiva perfomanciga, kus võeti publiku silme all kipsivorm otse naise kehalt.

Publik said kogeda ühtaegu usalduslikku ja intiimset rituaali, mis on iga seinal oleva büsti lahutamatu osa ja annab igale väliselt askeetlikule rinnapaarile hingamise.

Anonüümne female power puudutas inimesi ja andis võimaluse järgnevaks näituseks, kus büst ei olnud enam anonüümne pind. See on emadus, eluandev alge, meie kõigi algus. Meil on kõigil traditsiooniliselt ainult üks ema. Me oleme siia ilma tulnud kõik ühe värava kaudu, milleks on emaüsa, olles 9 kuud osa oma ema organismist. See on meie kõigi ühine kogemus – meie ühisosa. EMA, hoolimata sellest kas me oleme tulnud siia ilma keisrilõikega, hoolimata sellest kas ta rind on meid toitnud, hoolimata sellest kui palju armastust või tuge me sealt saanud oleme. Ema see on kehastumise potentsiaal ja täidesaatmine.

Näitus toimus Naiste Ööde FilmiFestivali raames Rapla kinos. Avasime selle taas performance`iga. Kaks Anubise peaga femme fatalet palsameerisid habrast naise keha, justkui jäädvustamaks selle hetke elusa ilu igavikule. Pühitsemaks ja ülistamaks naise, kui looja  kehastumist. (Elu on põrmuks varisev, igavikuliste  hetkede jada.)